Artist: Alfredo Arreguin
Seattle artist Alfredo Arreguin has exhibited his work internationally, most recently at the Museo de Cadiz in Spain (2015). He has exhibited solo shows at Linda Hodges Gallery since 2001.
Arreguin has a long and distinguished list of accomplishments. In 1979 he was selected to represent the U.S. at the 11th International Festival of Painting at Cagnes-sur Mer, France, where he won the Palm of People Award. In 1980 he received a fellowship from the National Endowment for the arts. In 1988 in a competition that involved over 200 portfolios, Arreguin won the commission to design the poster for the Centennial Celebration of the State of Washington (the image was his painting Washingtonia); that same year he was invited to design the White House Easter Egg.
Perhaps the climatic moment of his success came in 1994, when the Smithsonian Institution acquired his triptych, Sueno (Dream: Eve Before Adam), for inclusion in the collection of the national Museum of American Art.
A year later, in 1995, Arreguin received an OHTLI Award, the highest recognition given by the Mexican government to the commitment of distinguished individuals who perform activities that contribute to promote Mexican culture abroad.
More recently, success has been cemented by an invitation to show his work in the Framing Memory: Portraiture Now exhibition, at the Smithsonian National Portrait Gallery. One of his paintings included in this show, The Return to Aztlan, will remain in the permanent collection of the gallery.
Thus, Arreguin's work is now in the permanent collections of two Smithsonian Museums: The National Museum of American Art and the National Portrait Gallery.
In 2017 he was awarded to the keys to the city of Morelia, an honor only shared with Pope Francis. In 2018 he collaborated with Doug Johnson for "In the Shadow of the Master" in Tacoma, and had a solo retrospective at the Bainbridge Island Museum of art. It was so popular, the show was extended.